Agent83 wrote:Tom Early wrote:Agent83 wrote:....
Maybe you haven't watched the video at the start of the Resolve 17 presentation, or just aren't aware, but Resolve is one of the most popular finishing apps in Hollywood.
That is not a sound statement. Who uses it in which project? Please give references. I would like to talk to one of the references. Because our costs have not decreased with the program in production.
Did you ever hear about "The Walking Dead" od "Pirates of the Caribian"?
First result: (just some 2018 examples)
https://www.nexttv.com/post-type-the-wi ... 018-movies"Avengers: Infinity War”
“Ant-man and Wasp”
“Mile 22”
“Overboard”
“Show Dogs”
“Siberia”
“Sicario: Day of the Soldado”
“Skyscraper”
“Adrift” by Stefan Sonnenfeld of Company 3;
“American Animals” by Rob Pizzey of Goldcrest for The Orchard;
“Deadpool 2” by Skip Kimball of Deluxe’s EFILM;
“Hearts Beat Loud” by Mike Howell of Color Collective;
“Juliet, Naked” by Nat Jencks of Goldcrest;
“Jurassic World: Fallen Kingdom” by Adam Glasman of Goldcrest;
“A Kid Like Jake” by Nat Jencks of Goldcrest;
“Madeline’s Madeline” by Nat Jencks of Goldcrest;
“Mile 22” by Stefan Sonnenfeld of Company 3;
“The Miseducation of Cameron Post” by Nat Jencks of Goldcrest;
“On Chesil Beach” by Tom Poole of Company 3;
“Overboard” by Trent Johnson of MTI Film;
“RBG” by Ken Sirulnick of Glue Editing & Design, along with Fusion Studio for stabilizing work;
“Sicario: Day of the Soldado” by Stephen Nakamura of Company 3;
“Skyscraper” by Stefan Sonnenfeld of Company 3;
Disney Lucasfilms’ “Solo: A Star Wars Story” by Joe Gawler of Harbor Picture Company;
“Sorry to Bother You” by Sam Daley at Goldcrest;
“Sorry to Bother You” for VFX by Darren Orr of Beast;
“SuperFly” by David Hussey of Company 3.
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