Technical information about 'Highlight Recovery'

Get answers to your questions about color grading, editing and finishing with DaVinci Resolve.
  • Author
  • Message
Offline
User avatar

AndreeMarkefors

  • Posts: 289
  • Joined: Fri Sep 30, 2016 11:41 am
  • Location: Zürich, Switzerland

Technical information about 'Highlight Recovery'

PostSun Nov 22, 2020 4:57 pm

I'm looking for deeper understanding of what the Highlight Recovery mode in the Raw Tab does.

The excellent manual says:

Highlight Recovery: A checkbox that lets you include additional highlight sensor data that’s usually clipped by the standard decoding matrix. In cases where you have extremely clipped peak highlights, you may obtain additional image detail this way, although it may contain unusual color artifacts.


All well and good, but not that detailed. It's noteworthy that it's off by default and it's certainly not a "if you want more DR, just check this box" box. If that was the case it would always be on.

I've had clips where the effect seemed like a pure win, and other clips that react closer to what the manual is describing.

I would like to learn more about this top area of the signal, that BMD ops to not include by default and what the inner workings/mappings are when the box is checked vs unchecked.

Info direct from BMD would be especially appreciated.
Canon R5C | Blackmagic Cam iOS
Mac Pro 2019: 12c | 240GB | Dual W6800X Duos | DeckLink Mini Monitor 4K + LG 55C8
MacBook Pro M3 Max 16" 16/40, 64GB | iPhone 15 Pro Max
Offline
User avatar

Uli Plank

  • Posts: 25457
  • Joined: Fri Feb 08, 2013 2:48 am
  • Location: Germany and Indonesia

Re: Technical information about 'Highlight Recovery'

PostTue Nov 24, 2020 2:42 am

Since BM will probably not answer questions about this, I'll try an educated guess (educated by Red).

What others are doing to achieve something similar is copying the color channel which is least clipped into the other two for the highlight only. This will completely desaturate the highlight but can bring back some detail. Unfortunately, one needs some transition into the fully colored luminance values, and that's where the method can fail if you have strong saturation close to clipping. We have done this manually years ago with a luma mask and some channel ops, I assume it is just a one-click version of that. It works pretty well if you don't have much color in the highlight areas to bring back some definition, up to a half stop or two thirds if you are lucky.
My disaster protection: export a .drp file to a physically separated storage regularly.
www.digitalproduction.com

Studio 19.1.3
MacOS 13.7.4, 2017 iMac, 32 GB, Radeon Pro 580 + eGPU
MacBook M1 Pro, 16 GPU cores, 32 GB RAM, MacOS 14.7.2
SE, USM G3
Offline

Hendrik Proosa

  • Posts: 3394
  • Joined: Wed Aug 22, 2012 6:53 am
  • Location: Estonia

Re: Technical information about 'Highlight Recovery'

PostTue Nov 24, 2020 9:14 am

My guess would be same as Uli’s, it does a clipped channel restoration by shuffling values from other channels.
I do stuff

Return to DaVinci Resolve

Who is online

Users browsing this forum: Brandon Menneke, pperquin, Robert Niessner, samdav and 306 guests