- Posts: 10
- Joined: Sat Aug 10, 2019 4:15 pm
- Real Name: Boston McConnaughey
For anyone out there... I found a workflow that works for my needs. Here is what I do:
1) I autosync or manually sync (when timecode is missing) the RAW footage to the sound.
2) I render out a proxy file in a format that will keep timecode (Prores or DNxHD, etc)
3) I autosync the audio to the proxy media
4) Edit my footage
5) When Picture locked, I select the audio and conform from bins, selecting the raw audio files.
6) I render out a temp video track.
7) In a duplicate timeline I replace the video track, so the only files now referenced are the original audio files and the scratch (temp) video track.
8) Open media manager and export the current timeline by copying all of the original media to a new location.
9) Export audio timeline in the requested format from the audio engineer
What this means is, I can hand off the entire timeline to an audio engineer and they can work on the mix in Pro-tools or the like without any issues, and I can hand them "the entire project" without the video files, making the transfer super easy.