Sat Apr 17, 2021 1:49 am
There is a "behind the scenes" short out there with veteran colorist Steven J. Scott explaining his process for color-correcting the famous "one shot" movie BIRDMAN, and it's fascinating to see all the workarounds he had to use in order to make the film look seamless. Scott used Lustre on this project, but the basic principles of what he did apply to any color-correction system: Resolve, Baselight, Nucoda, Mistika, etc.
marc wielage, csi • VP/color & workflow • chroma | hollywood