i have a feature on the front burner this week with 100's of smoke and fog plates
the workflow for us is:
VFX editor is working in Resolve, has a mirror of my media pool
adds smoke & fog plates +holdback mattes as mattes in the media pool
feeds them through two nodes (matte choker and general purpose color) and onto a layer node
sends me a DRT with only the VFX shots on a seperate track
i drop that timeline into my timeline, append my base grades to the VFX shots
go and tweak
third VFX heavy feature with this workflow now, pretty much painless at my end
