- Posts: 10
- Joined: Wed Apr 29, 2020 7:59 pm
- Location: New York City
- Real Name: Paul R Bronkar
This is kind of one of those "how to I build a boat?" questions. It's a big answer that would be hard to do in a forum message. I'm not sure if anybody's ever done a thorough article on a complete workflow between Premiere and Resolve, or a dailies workflow that they're willing to circulate publicly. Post houses have internal memos, of course, but each is kind of specific to each company.
I would point to two great workflow books:
"Modern Post: Workflow & Techniques for Digital Filmmakers"
by Scott Arundale
https://www.amazon.com/Modern-Post-Work ... 0415747023
"The Guide to Managing Postproduction for Film, TV, and Digital Distribution"
by Susan Spohr & Barbara Clark
https://www.amazon.com/Guide-Managing-P ... 1138482811
I learned quite a bit from both, since I only knew the dailies workflows we had done at Technicolor in the 2000s, and I could see there's a lot of ways to approach this challenge. One key I'd suggest: whatever you do, make sure you test the workflow and make sure it works for (say) a few minutes of material. Once you've verified that and the editor is happy, sound is happy, VFX is happy, and the colorist is happy, then you can tackle a project shooting dozens or hundreds of hours of material.