- Posts: 13
- Joined: Thu Jan 02, 2020 11:19 pm
- Real Name: Steve Henwood
When right click on Canon Cinema Raw Light clips in the media pool to assign "Canon Log 2 to Rec 709", the Input Color Space no longer shows up as an available option. I am running the studio version of DVR 17.4.3 Build 10 on and Windows 10 machine. I have heard BMD has discontinued the Input Color Space: is this true?
I have also heard that certain project settings now fulfill the input color space function. Is that also true? In the project settings RAW section, I notice I have to change the Decode quality to Full Res-Canon to make all the other Project Setting options available. I set the color space to Canon Cinema Gamut and Canon Log 2 (since I recorded in Cinema Raw Light in my Canon C200). In the color management section in the project settings, I chose DV YRGB color managed, HDR DV Wide Gamut Intermediate, and Rec 709 Output Gamma. Is this the best combination of settings for timelines with Canon Cinema Raw light clips involved?
Ah, but what if I were to use raw clips from two different cameras in one project? Would resolve know that some of the raw clips were not canon, but, for example, were Sony raw clips, and then allow me to change that input color space in the media pool or color page in the Camera Raw Icon section? I ask because right now the Color Space and Gamma there are greyed out in the Color Page and not adjustable, with my current Camera Raw Project settings described above. I would not want the Sony raw clips to be adjusted the same as Canon. In the old days with Input Color Space, I could have done this in the media pool, and identified Sony raw clips as such, but that option seems unavailable now. What am I doing wrong?
I have also heard that certain project settings now fulfill the input color space function. Is that also true? In the project settings RAW section, I notice I have to change the Decode quality to Full Res-Canon to make all the other Project Setting options available. I set the color space to Canon Cinema Gamut and Canon Log 2 (since I recorded in Cinema Raw Light in my Canon C200). In the color management section in the project settings, I chose DV YRGB color managed, HDR DV Wide Gamut Intermediate, and Rec 709 Output Gamma. Is this the best combination of settings for timelines with Canon Cinema Raw light clips involved?
Ah, but what if I were to use raw clips from two different cameras in one project? Would resolve know that some of the raw clips were not canon, but, for example, were Sony raw clips, and then allow me to change that input color space in the media pool or color page in the Camera Raw Icon section? I ask because right now the Color Space and Gamma there are greyed out in the Color Page and not adjustable, with my current Camera Raw Project settings described above. I would not want the Sony raw clips to be adjusted the same as Canon. In the old days with Input Color Space, I could have done this in the media pool, and identified Sony raw clips as such, but that option seems unavailable now. What am I doing wrong?