Grudgeattic wrote:I am reaching out again just to see if there is anyone out there that knows how to do something similar or how to do it where the tracker frame stays within the door. Which is a bit perplexing because the door and its background are fairly different in brightness. (Luma) I've also tried changing the Track Channel to no avail.
Even as long as I've been using Resolve, there are points where I say, "welp, this is far beyond my meagre knowledge and I'm gonna have to ask for help."
I think this is more a visual effects problem than a Resolve problem per se. If it were me, I'd send the shot out to a decent VFX artist and tell them what I want, and either have them roto the shot and send me the external mask, or actually hand them a color-corrected shot and let them do the entire composite.
What you want absolute
can be done in Fusion, but it's not fast, simple, or easy -- it's inevitably going to involve hand-rotoscope in 3-dimensional space, and that's a big challenge. I've done some tricky shots, but if I can see that "something" is going on, I don't hesitate to send the shot out to somebody a lot more competent than I am, assuming I have a client who's willing to pay for it.
There are affordable VFX artists out there, and 400 frames is not a gigantic deal. I'm guessing this is 3-4 hours of work, but I'd have to actually see the shot to know for sure.