- Posts: 25
- Joined: Sat Apr 18, 2020 1:14 pm
- Real Name: Geoff Lowrie
To me, you're better off using a LUT (or a CST for color management) on the actual Color page and not in an Adjustment layer. I get that a lot of people are used to an Adjustment layer-approach from other software, but to me, it's inherently limited -- particularly if you place any other clips on the timeline below. If you use the LUT or the CST on the Color page, you can target specific clips quickly without affecting anything else. Learn how to Ripple color changes, and you can apply the LUT (or CST) to many clips at one time.
Another approach would be to use Color Management, and let Resolve apply a corrective look to shots made on a specific camera. This is mainly intended for camera original files, like R3D, Canon raw, BRaw, or Alexa raw (and many other formats). Color management is explained at length in the manual.