Marcin Rutkowski wrote:Output Color Gamut: P3-D650
Output Color Gamma: 2.2
Why in the world would you export to P3/2.2? That makes no sense.
I would just monitor in Rec 709/gamma 2.4, and export in the exact same format. If this is going to be watched from the web on a Mac, you could make an argument to instead use gamma 2.2... but the difference is not that gigantic.
BTW, here's a good display setting for modern Macs made in the last 3-4 years:
I'm not going to guarantee that it will always work, but "in general" it looks OK.
The problem of accurate color out in the wilds of the internet has been argued and debated and analyzed and fixed and unfixed a thousand times on this forum. It basically boils down to: without monitor calibration, it's the Wild West -- you can't predict anything. In a closed system, where you control the display used for final color decisions and also the monitor used for client playback, THEN you can make sure they'll resemble each other. Anything else is a crapshoot. (Sound mixes have similar problems: a great mix will sound different on earphones, on a laptop, on a TV set, and in a theater.)
Read these discussions for more info:
"Grading for Mixed Delivery: Cinema, Home, and Every Screen in Between" by Cullen Kelly
https://blog.frame.io/2019/10/14/gradin ... -delivery/and
"How to Deal with Levels: Full vs. Video"
by Dan Swierenga
https://www.thepostprocess.com/2019/09/ ... l-vs-videoand I think both cover the issues and the solutions very well.