Marc Wielage wrote:What happens if you throw out the Film LUT and just color correct manually?
Very well thought, however, I would like to achieve the Kodak 2383 D55 look and for that, I am not capable to color grade and have the same results without using the DaVinci LUTs.
F-Log uses Rec.2020 as color Space and I have noticed that converting to DaVinci WG/Intermediate - which is broader - only makes the quality falls apart.
I could use Rec.709 as Input Color Space and it would resolve the issue, however, the level of saturation is lower and I would have to adjust to about 80% and Color Boost to about 20% however, after raising the saturation over 60 , you start to see separation patterns in colors (don't know how to explain) like in the sky or large areas of one color.