- Posts: 10
- Joined: Fri Oct 06, 2023 4:34 am
- Real Name: Travis Andrew Guba
Hello,
I am looking for an answer to how to approach this challenge and I keep coming up short. Thank you in advance for any knowledge you might send my way.
The Situation:
Shot a short film in 6k BRAW. Had a second shooter that did not check his FPS settings and delivered to me some amazing BRAW footage from a 6kPro on a GIMBAL. But it is 25fps and the majority of the material is 24fps. So dropping it in requires constant editing... even with a proxy. I would like to keep everything in BRAW for finishing color consistency and 12 bit color, but I cannot find a way to render out the fps from 25-24 without transcoding it to a PRE RES option.
So my questions are:
1) would a PRORES 444 output shift things too much?
2) How much Color and/or dynamic range would be sacrificed to make this export?
3) are there recommended PRO RES 444 export settings to use?
4) Does Davinci work with PRO RES 444? Does it struggle?
5) Is it worth struggling through the constant rendering to keep things BRAW?
6) is there a way to make a 24fps PROXY for the 25fps footage and then have it export at a rendered out 24fps on export?
7) will using a PRORESS 444 make it harder to match the clips of a scene to each other?
I have a RAW converter to get PRO RES RAW into a project, but no idea how to edit a BRAW clip, change a value, and keep it BRAW.
Thank you for your time y'all!
TG
I am looking for an answer to how to approach this challenge and I keep coming up short. Thank you in advance for any knowledge you might send my way.
The Situation:
Shot a short film in 6k BRAW. Had a second shooter that did not check his FPS settings and delivered to me some amazing BRAW footage from a 6kPro on a GIMBAL. But it is 25fps and the majority of the material is 24fps. So dropping it in requires constant editing... even with a proxy. I would like to keep everything in BRAW for finishing color consistency and 12 bit color, but I cannot find a way to render out the fps from 25-24 without transcoding it to a PRE RES option.
So my questions are:
1) would a PRORES 444 output shift things too much?
2) How much Color and/or dynamic range would be sacrificed to make this export?
3) are there recommended PRO RES 444 export settings to use?
4) Does Davinci work with PRO RES 444? Does it struggle?
5) Is it worth struggling through the constant rendering to keep things BRAW?
6) is there a way to make a 24fps PROXY for the 25fps footage and then have it export at a rendered out 24fps on export?
7) will using a PRORESS 444 make it harder to match the clips of a scene to each other?
I have a RAW converter to get PRO RES RAW into a project, but no idea how to edit a BRAW clip, change a value, and keep it BRAW.
Thank you for your time y'all!
TG