- Posts: 43
- Joined: Sat Oct 29, 2022 7:34 pm
- Real Name: Julian Roberts
I'm not sure how Premier works in this area, I can only assume from the description.
In resolve, one way I would go about it, although there may be better ways, is that I would import image sequance as individual images or if its clips as individual clips. Right click on the bin in which they are imported or select them all, choose; Create New Timeline Using Selected Bin. Than In the timeline settings I would choose appropriate resolution, frame rate etc.
After that I would have timeline with clips or images and I would drag my music track or dialog or whatever I need to edit to. And in Fairlight page I would use Transient Detection, which enables transient detection for all clips on a given track. Once enabled, a transient button appears on tracks to enable the transients on a track’s clips to be easily identified and navigated. When the Jump to Transient button is enabled, the Up and Down arrow keys navigate to transients within a clip.
And than I can add markers to any beat or whatever I need. Which makes it easy to edit based on that back in the edit page. There are plenty of editing tools there to make easy work of that process.
That is what I would probably do if I wanted to match length of images or clips to audio beats. If I wanted to do the other thing, match audio to images or clips, than I would use elastic wave in fairlight.
Elastic Wave retiming is a fast and easy keyframe-based way of dynamically retiming audio, squishing and stretching different parts of a waveform to subtly retime audio playback for a variety of reasons, all while maintaining constant pitch. For example, if you’re using the audio from another take to replace that of the current take, but the performer’s timing is just a little bit different, you can use Elastic Audio to make small adjustments to retime the second performance to match the first. It has algorithms that are optimized for vocals/dialog, general purpose like music or foley or SFX and variable speed.
You can off course use both elastic wave and transient detection for powerful combo. Fusion has some powerful ways to work with audio and image sequences, but I don't think its for what you need.
Not sure if that is what you were looking for, but that is probably how I would approach it. Not a full time editor, though. Maybe there are better ways.