Joe Shapiro wrote:By avoiding clutter do you mean avoiding multiple audio tracks in the timeline? If so there’s an easier and I think better way. Let me know if you’re interested.
Note that compound clips are a form of nested timeline and there are known problems with audio in nested timelines.
Thanks. Would appreciate your advice on minimizing track clutter in the Roughcut timelines. My project is a documentary about a composer so I'm dealing with lots of tracks. For the quartets and orchestras, there can be 8 or more audio tracks. In the past, I have mixed the audio before editing video, which reduced the number of tracks to one stereo track. For the interviews, there is a Lavelier, a Boom and 3 camera microphones, which I suppose I should really premix too.