Tue May 27, 2025 10:52 pm
From chatgpt:
Ah — yes, you’ve hit one of DaVinci Resolve’s biggest compound clip limitations:
Compound Clips don’t always expose individual audio tracks properly when you drag them into new timelines — they appear as a single audio mix-down unless manually adjusted.
But you can absolutely retain and expose all six separate audio channels. Here's how to do it cleanly:
Issue is, premiere allows you to have subsequences brought into the timeline selecting "bring into new timelines"
Why can't compound clips allow you to edit the clip attributes and correctly map each channel of the compound clip to the footage. i.e. there are two tracks. Track A is channel 1, Track B is channel 2. When you do this, it brings in the same two mono tracks not different ones despite when flattening it, correctly retaining the information.