waltervolpatto wrote:i worked in a show where each take had its own lut... How's that.
I've heard of projects like that before. Very silly, particularly if they're setting these looks on questionable monitors under bad circumstances on film sets with stray lighting and all kinds of pressure.
I worked on a project a few years ago where somebody had come up with customized LUTs that they insisted we use, and the DP came in and in less than hour, we threw all of them out and started over. We always, always used their original version as a reference and it was easy to go back and forth and compare to reassure them we weren't going very far from their preset look.
My take is that religiously sticking with LUTs done over a period of several months is silly, and it's an example of people buying into the hype of what LUTs can and can't be used for. I think Roger Deakins has the right idea: create one simple LUT, use that as an overall guideline, and use experience and good judgement to tweak the shot when necessary.
On the other hand... the client is always right.
