New premium article out from Senior colorist Paul Ensby, Company 3!
This time he talks about maintaining a film white at the top end of the curve, how to not break the relationship between the different values in film emulations and about keeping things as simple as possible. Paul uses DaVinci Resolve as his main color corrector.
Read about his work on The Man From U.N.C.L.E at
www.lowepost.com