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Jim Simon wrote:waltervolpatto wrote:i have to modify the timeline or the settings
Exactly. Keep those controls where they belong.
This would only make sense for my workflow, if I could at least have a different transform for monitoring and for output. As it stands now I monitor and do my main final delivery in P3, but have to constantly be exporting in Rec709.
A compromise could be to have separate settings for output and deliver (don't see why this option couldn't be in the deliver page), monitor as usual in P3, while exporting revisions in Rec709. Then at the end changing to P3 output for the DCP and then back to Rec709 for the rest of the deliverables.
So that's how it is for me. And always worried to forget to reset my settings for the next render, or worse do some color work while in the wrong color space.
Maybe someone can suggest a more practical workflow... But one that doesn't include making separate projects per color space.