Wed May 02, 2018 10:58 am
If you make sure you don't apply any scaling, you can get a 1:1 pixel mapping of interlaced footage by setting Resolve to deinterlace your footage in the media pool, and then using a 59.94 progressive timeline. If you then import your film footage as 23.976 progressive and place it on your 59.94 timeline, you will get 3:2 pulldown. Exporting the progressive timeline as 29.97 interlaced will then "reinterlace" the timeline and, provided you didn't apply any scaling on the interlaced footage, the interpolated lines (from deinterlacing) will be removed on output. Note that your footage and output field parity (top field first or bottom field first) will need to match for this to work, and your cuts have to be on even frame numbers.