- Posts: 123
- Joined: Thu Dec 10, 2020 7:32 am
- Real Name: Nathan Bray
Repost... was in wrong forum 
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I've upgraded from a Canon XF400 and editing on Cyberlink Power Director to a Sony FX6 (just arrived) and also DaVinci Resolve Studio V17 but.... as a Davinci newbie I need some help in setting up Resolve.
Aim: To shoot, edit, and deliver in UHD 10-Bit 50fps 4:2:2 all I HLG/BT.2020.
I've so far configured the Sony FX6 to shoot in UHD 10-Bit 50fps 4:2:2 all I HLG/BT.2020 (runs around 500mbps) in a MXF wrapper that works well and is imported correctly into Resolve.
Help Needed: I'd love some help in how to Setup Resolve with:
Project Settings: To correctly handle, edit and display the FX6 HLG footage on my Philips 43" UHD HDR Monitor (1,000 peak nits)
Deliver Settings: To correctly render the timeline to UHD 50fps HLG 10-Bit so it triggers HDR mode on TV/PJ (and optionally in 4:2:2 all I). My playback of this material will be via HTPC's using madVR so while all I 4:2:2 is an odd delivery format it works for me and would save chroma degradation and long GOP compression. If this is not possible with Resolve then std long GOP UHD 10-Bit 4:2:0 as a delivery format would be fine.
Thanks in advance
Nathan
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I've upgraded from a Canon XF400 and editing on Cyberlink Power Director to a Sony FX6 (just arrived) and also DaVinci Resolve Studio V17 but.... as a Davinci newbie I need some help in setting up Resolve.
Aim: To shoot, edit, and deliver in UHD 10-Bit 50fps 4:2:2 all I HLG/BT.2020.
I've so far configured the Sony FX6 to shoot in UHD 10-Bit 50fps 4:2:2 all I HLG/BT.2020 (runs around 500mbps) in a MXF wrapper that works well and is imported correctly into Resolve.
Help Needed: I'd love some help in how to Setup Resolve with:
Project Settings: To correctly handle, edit and display the FX6 HLG footage on my Philips 43" UHD HDR Monitor (1,000 peak nits)
Deliver Settings: To correctly render the timeline to UHD 50fps HLG 10-Bit so it triggers HDR mode on TV/PJ (and optionally in 4:2:2 all I). My playback of this material will be via HTPC's using madVR so while all I 4:2:2 is an odd delivery format it works for me and would save chroma degradation and long GOP compression. If this is not possible with Resolve then std long GOP UHD 10-Bit 4:2:0 as a delivery format would be fine.
Thanks in advance
Nathan
FX6 & A7Siii - UHD AVC 10 Bit 4:2:2 SG3C/Slog3
DJI - Air2s HEVC 10 Bit 4:2:0 D-Log
PC - Win11 Pro, 64GB, i9-14900K, RTX 4090, NVME for editing, 80TB Drive Pool for Storage, 2 x 1,000 peak nits monitors
Resolve Studio, Speed Editor, UltraStudio 4K Mini
DJI - Air2s HEVC 10 Bit 4:2:0 D-Log
PC - Win11 Pro, 64GB, i9-14900K, RTX 4090, NVME for editing, 80TB Drive Pool for Storage, 2 x 1,000 peak nits monitors
Resolve Studio, Speed Editor, UltraStudio 4K Mini