roger.magnusson wrote:… or shoot cDNG on the Ursa Mini. Not a big deal though.
Agree. Two cameras usually mean two angles and usually two different lenses. In practice, the different angles means that the same set lighting falls on subjects differently. That often makes a greater difference than Gen 4 versus Gen 5 colour science. The UM4.6K shoots Gen 3, but DaVinci Resolve Camera raw easily gives you Gen 4. Gen 5 adds compression which can make a significant difference for the better in brighter areas. Both have highlight recovery.
I’d also recommending initial grading be done with HDR controls rather than SDR for more controlled adjustments. Once I’ve generated my HDR deliverable, then I revert to SDR and make appropriate changes for 709 and sRGB.