John Brawley wrote:It’s four screws.
Which is more than zero screws. Also, no tools required if you just use an adapter! If you're living large in studio all the time then fine, who cares? But some of us are out here on mountain tops in -35C weather, where an adapter is infinitely more sensible than completely swapping a mount. Had you considered this?
John Brawley wrote:You get a mount that been shimmed and should stay shimmed.
You're trying to argue that an entire mount with four attachment points is somehow more reliable for flange depth across swaps than a single rigid mount adapter? C'mon man. How does that even make sense? We use these all the time and I can't remember ever having a flange depth issue with one.
Look, I don't think BMD will do it but there's a reason Arri made this adapter and there's a reason that we use them on set. They're a great tool! I would love to see one offered at a lower cost because it'd be great to have options.
rick.lang wrote:Alex, that ARRI adapter is allowing a PL-mount lens to go on a camera with LPL mount. That’s not what you are looking for if you are trying to use an LPL lens on a Cine 12K with PL mount.
No offence Rick, but you may want to reread the OP; that's exactly the adapter they were discussing. The idea would be to have BMD offer an UC12K with the LPL as standard and then release their own locking adapter, so that you wouldn't need to swap mounts.