Theodore Prentice wrote:trying to get the 4k version of this :
kholi, if you arent impressed, so be it.
I saw it. That's actually the video that lead me to cancel my preorder for the GH4, which I *did* have, as a just-in-case-something-good-turns up.
The moment people start to enter the frame the image goes downhill. And, the video had an edge up on any Blackmagic 4K footage we've seen so far from the get-go, Cooke S4i's may not be real deal S4s but they're nothing to scoff at. The best lookin' 2.5K stuff I've shot used S4 minis. Extrapolating from that, and having spent so long with BMD's 4K camera...
Well, a lot of people will like the GH4, but there really isn't a comparison here to me. GH4 = DSLR look most of us have been dying to get away from for the last three-four years.
you were recently in a thread here talking about how bmd should not implement the ability to shoot 8 bit 4:2:0 in camera as it is a "step backwards".. yet you claim, in contrast of technical differences, that the opposite will yield 0 difference for the gh4.
i dont buy it, at all,... but we shall soon see
They shouldn't take a step backward, but you can't escape the base without going to a greater extreme. Again, just go and look at FS700 footage. Check Philip Bloom's Odyssey Q7 comparison between internal recording, external ProRes from the HDMI port, and then RAW > DNG > ProRes from the Odyssey.
That's how far you have to go to get that kind of image from the sensor, and THEN it's night and day.
I'm okay with being wrong, and when the GH4+External Recording images show up, if they're that different then that's great because right now, the situation's looking old.