- Posts: 347
- Joined: Tue May 17, 2016 5:55 pm
This is a long story but imho, (1) its place has been already taken, I think - to be checked in % - mainly by Premiere, but also by Resolve years ago. (2) The commercial clip only shows up now for those who are the last to change but knew they had to, and probably had their own idea about this replacement. (3) Furthermore, your point of view doesn't take studio workflows where the edit line is only one piece of the process.Krishna Pada wrote:Add these two small things and FCP7 will soon be forgotten, DR14 can take it's place.
I personally hope it won't ever (sorry ), because Resolve tabs are specifically what makes its strength to properly achieve a project. It's not about being an expert, even editors should be happy to color correct - even slightly - their job without any roundtrip pain.Ideally, the edit platform can be taken out from the DR14 and run as a standalone edit suite.
Always imho, firstly it wouldn't be the best thing at all, for BMD would then strictly face FCPX, which wouldn't be a great commercial strategy. Also, for users, what we see is Resolve makes its own track, regularly gathering features in the edit page, which finally leads to challenge FCPX in the end. Therefore to the contrary, why not stay in the edit panel for those who want to, while others go on on other ones if they feel like it ?That will be the best thing to happen. Plenty of film editors just edit.
Everybody knows that the Color Finale plugin in FCPX is not a solution but the fcpxml is experienced with pain by a lot of users. It looks like more and more editors are more interested in color than you may think, Resolve is the solution.They are not bothered about colour and sound and prefer to leave those domains to the experts.
(for sound, it's probably a longer way, I admit).