AppleseedTV wrote:Is there any answers from Blackmagic professionals? I have the same problem and ready to give up.
No offense, but the answer is:
The problem is not in the camera, the problem is behind the camera.
In fact, compared to - let's say a Sony FS100/FS700 or even F3/F5 the BMC has a fantastic smooth motion rendering.
A lot of folks come from shooting 30 frames interlaced, which is much more forgiving. A lot of them also shot 60p. 30 and 60 look nice on computer monitors worldwide, since they run mostly on 60HZ internally. TV sets apply some funky smoothing algorithms and insert frames via Voodoo.
Now you left the world of Television and bought a cinema camera.
It's pretty wired to assume, the cinema camera must adjust to your TV shooting habits.
Like it or not, YOU have to learn to adjust to cinema rules. There is no way to cut corners. Learn how to shoot for cinema, like hundreds of DPs have done before.
Frank