Marc Koecher wrote:?..I still think the original BMCC MFT is the ideal solution for me...
Investing in a sensor size/format is hopefully a longer term one with unique financial investments required for each. Are they committed to keeping this up with future developments or will the BMCC format (similar to m4/3) be abandoned for the new S35 and S16 formats of the more recent cameras? I think having the three formats scaling up through S16, m4/3, and S35 are fantastic choices!
I think it was the press release for the BMPC4K which stated that the mount was EF because MFT could not utilize the new larger sensor. I am not an optics expert so I assume that means there will not ever be a MFT mount on the BMPC4K. I do not see the BMPC (pocket camera) replacing the BMCC MFT even though both use the MFT mount and may share the sensor (except a BMD spokesperson said BMPC was not using the identical processor as the BMCC). At this point it looks to me like:
BMPC4K has an active EF mount (and EF-S lens support) now and will have a passive PL mount when the cows come home;
BMCC active EF and BMCC passive MFT (2.5K) will continue; to be sold and
BMPC has an active MFT mount supporting an HD sensor.
All models have or will have raw capability but not certain the original BMCC will do compressed raw. Until we see what if any trade-offs exist in using compressed raw, it may be good if the BMCC raw remains uncompressed if quality is a primary concern.
The BMCC and BMPC offer the greatest dynamic range and sensitivity and can be pushed the most in post when desired. The BMCC has the advantage of more resolution over the BMPC pocket camera which can result in better grading and other post processing.
The BMPC4K is very interesting in that its higher resolution raw could result in even better colour for the final deliverables when down-sampled to 2K or HD. Personally I am looking forward to the day when we can compare 4K, 2K and HD deliverable results from the BMPC4K sensor. Would be great if BMD actually posted comparisons like for download from their website.
Like Frank mentioned in another post, given the hardware to support 4K, it might be desirable to do all interim post processing in 4K and then leave the creation of final deliverables to determine which formats are produced. I don't have the experience to know how much an improvement down-sampling may make in the deliverables, but even Red's Dragon sensor is expected to be used to create better down-sampled deliverables, not to be projected in theatres in 6K.
Rick Lang
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