Onallem wrote:- About ISO, isnt'it better to shoot at 100 than 1000 ?
If you are shooting BRAW the ISO setting in a gain stage (100-1000 and 1250-6400) doesn't matter at all, you can change that later in post without loss.
If you are shooting ProRes the ISO settings have a bit more impact, because of the gamma curve.
I wanted to make you aware of that you cannot use ISO for exposure control in the same way like you would be used on DSLRs.
With ProRes I tend to set my ISO at a value where it looks nice on screen. Usually that would be ISO400 for normal conditions, in bright sunlight I might prefer ISO200 and ND for stronger colors. In less bright situations I'll tend to use ISO800 and for low light - well any ISO that fits my needs.
![;-) ;-)](./images/smilies/icon_e_wink.gif)
Make yourself aware of the false color mode the camera offers. With this it is very easy to nail skin exposure. Try to expose scenes consistent - makes your live in the editing easier.
Onallem wrote:- I ordered a VND filter.
Be careful - the camera has a weak infrared filter built-in so if you are using a standard ND filter it will let infrared light through which will alter your image reddish - the stronger the ND, the more it will shift colors. Black cloth might appear darkred or magenta.
So you need either an IR filter, too. Or a combined IR+ND filter which is called IRND.
Onallem wrote:I saw in another topic that you have a 14-35 2.0 Zuiko lens. I bought a used one but have 2 issues :
- autofocus doesn't work : it sticks on infinite when I switch it on
- this lens isn't parfocal at f2.0
I don't really need autofocus, but it's boring to have to focus again when zooming during an interview.
Do you have same issues ?
Sorry, I don't have that lens. I have the Olympus Zuiko Pro 12-100mm f/4.0, the 7-14 f/2.8 and the Panasonic 12-35 f/2.8.