Mon Jun 03, 2019 1:24 am
I'd pull a key on the yellow area, make it soft, use a tracking mask around it, and then use lift/gamma/gain to push it in a brown direction, which is basically kind of a darker area between red and yellow. If necessary, have the client send you a still frame of what he or she considers to be brown, and match it to that sample. Note you'll need to get the hands as well, and if any characters cross in front of this one, you'll need to use a garbage matte around that object to avoid the key (also known as an occlusion mask). It can be done, it just takes time.
Don't forget the hands, BTW.
marc wielage, csi • VP/color & workflow • chroma | hollywood