VIDEOHOOD wrote:Hi guys! I am a freelancer editor (from Brazil) and since DaVinci 16 came out I finally made the move from the Adobe Suite to DaVinci. For me, the ability of having different timeline formats on the same project was crucial.
Now, with the announcement of 16.1 Beta, I did actually bought the Studio version because being able to have full screen preview is worth the price alone. I couldn't afford by any means having professional monitoring here at my home office!!
I bought the license but haven't received it yet (it's not so easy when you're living here, believe me
hehehehe).
Anyways, my question is if anybody has tested this feature on a 4k TV Screen instead of a computer monitor and how does it look?My idea with my super simple set up is having my MacBook Pro and UltraWide LG monitor working in Dual Screen Mode while "monitoring"(I know, I know...) the video on the 4K TV screen.
Has anyone tried it yet?
Any thoughts or commentaries are appreciated
Cheers
I saw your post re ultrawide monitors and would love to get your input. I am very interested in going UW, but it has been very difficult researching this topic, given that as Davinci video editors we have a very specific use case. Also, computer stores (even B&H and MicroCenter) don't keep them on display so it has been hard to get a grip on the look and feel of these monitors.
Here are some questions I have:
1. 21:9 Vs 32:9? If 21:9, what size monitor (38"? 40"?)
2. Do you have enough real estate vertically? (I typically work with 8 audio tracks and 5 video tracks).
3. How does the color accuracy compare with a iMac?
4. Any monitor recommendations? I'm looking at:
- LG 49WL95C-WE 49" 32:9 UltraWide
- Philips 499P9H curved monitor
- SAMSUNG 49-inch Odyssey G9
- Dell UltraSharp U4919DW 49 inch Dual QHD Curved Monitor
- Asus Designo Curve MX38VC
- Dell U4021QW UltraSharp 40-inch Curved WUHD Monitor
- Dell U4919DW 49" 32:9