Dmitry Shijan wrote:Camera RAW Clip settings:
- Set native camera ISO.
By native camera ISO do you mean the native ISO of the camera model (we also shot on BMMCC..). Most of my googling tells me BMMCC native is 800. Or do you mean the ISO we shot at? My raw tab has chosen 200 by default although 400, 800 & 1600 is available.
Dmitry Shijan wrote:- Optional ColorChecker correction Node (Set Color Match Source/Targret Gamma and Target Color Space same as your timeline)
We didn’t shoot a color checker palate. Is there a way to use the color match tab without one? Assuming no..
Dmitry Shijan wrote:- Gain in Linear Gamma Node (aka Expose) to recover dynamic range from shadows (Right click on the Node and set Gamma to Linear. Adjust Gain wheel). Gain in linear gamma corresponds to Expose F-Stops in RAW tab like this:
linear gain 2 = expose 1
linear gain 4 = expose 2
linear gain 8 = expose 3
linear gain 16 = expose 4
and so on...
do you mean 2.0, 4.0, 8.0, 16.0 or 1.02, 1.04, 1.08, 1.16 on the gain wheel?
Dmitry Shijan wrote:- Contrast/Pivot Node (for RED Log3G10 pivot middle point is 0.38)
Is this optional? Noticed in a screenshot you had the contrast at 1.1...
Dmitry Shijan wrote:To compress LOG to Rec you can use Color Space Transform node in Resolve with Gamma mapping turned ON.
Or you can generate custom 1DLUT in LUTCalc
https://cameramanben.github.io/LUTCalc/ ... index.htmlAs Out Gamma i use Amira709 because for my subjective opinion it it gives best result. (You can also try Alexa-X-2 and LC709/A made by Sony as well)
Tried to match the Amira709 lut you made as a starting point so I can customise from there but my lut came out a lot darker than yours. Screenshot attached with the settings I used. What am I doing wrong?
Thanks again, Dmitry.
Blake