IvanTheEditor wrote:Yes, I love the richness of the green in those shots. I really wish this wasn't so complicated. BM should come out with a LUT that corrects this obvious mistake and add it to the other LUTs that the cameras already ships with.
What Dmitry is describing are various ways of approaching normalization and color correction in Resolve, though, in my view, sometimes these instructions go off the deep end with needlessly complicated workflows for minimal or maybe imaginary benefits.
And I'm not sure what the various green shades above demonstrate, since they don't exhibit the color shift you've illustrated.
I tested greens which at least resemble those depicted in your product shot, and don't see your results -- in one instance, the greens were a bit weak on two different cameras (a GH2 and the BMPBCC 4K braw), but that's easily corrected with basic color correction tools. Anyway, there's distinct separation from yellow.
Can you find any other examples or do you have continued access to the product box? Could you provide braw frames?