It's disheartening that some people here think that this is not a big deal. For me, this was the reason I stopped using my BMPCC 4k. When I go out and shoot at a park, all the greenery there becomes yellow-ish. To me, this is very bothersome, because I'm after the film look, which usually renders neutral colors (which is how visual artists usually do paintings too: neutral colors, not high key). So with all the trees suddenly turning yellow-ish (as if someone turned them into hue vs luma), and that not being fixable by grading (you can only shift the cast to another color, not remove it), it's a problem. If I turn the yellows into greens using hue vs hue, this also changes my skin tones, because that color range there is all mashed up already by the sensor.
Look at this video at this exact 00:55 time. You will notice the yellowness I'm talking about. And while the S1H uses also a Sony sensor, it's using a newer, actual dSLR sensor, and not a night surveillance sensor (that the BMPCC 4k uses) that happens to be good-enough to be soldiered into cameras.
Heck, in fact I'd say that even the S1H doesn't have the problem fixed, because if you see at 2:48, the S1H SHIFTS the problem (the skintones become purple, as in the Fuji cameras, that ALSO use Sony sensors), but fixes the greens. So basically, IMHO, it seems that if you're using a Sony sensor, you are going to get screwed color-wise in one way or another. This is something that BM should comment on.
Personally, I found refuge at Canon cameras, which suck video-wise otherwise, but they do give me the look I want. I've bought Sony, Fuji, Panasonic and BMD cameras, that all use Sony sensors. These cameras are all gathering dust on my shelf. The only looks I enjoy are the Canon ones, and the original BMPCC (Fairchild sensor).
Look at this video at this exact 00:55 time. You will notice the yellowness I'm talking about. And while the S1H uses also a Sony sensor, it's using a newer, actual dSLR sensor, and not a night surveillance sensor (that the BMPCC 4k uses) that happens to be good-enough to be soldiered into cameras.
Heck, in fact I'd say that even the S1H doesn't have the problem fixed, because if you see at 2:48, the S1H SHIFTS the problem (the skintones become purple, as in the Fuji cameras, that ALSO use Sony sensors), but fixes the greens. So basically, IMHO, it seems that if you're using a Sony sensor, you are going to get screwed color-wise in one way or another. This is something that BM should comment on.
Personally, I found refuge at Canon cameras, which suck video-wise otherwise, but they do give me the look I want. I've bought Sony, Fuji, Panasonic and BMD cameras, that all use Sony sensors. These cameras are all gathering dust on my shelf. The only looks I enjoy are the Canon ones, and the original BMPCC (Fairchild sensor).
Collage artist, illustrator, filmmaker: https://vimeo.com/eugenia