Darkfable wrote:Which concludes that the maximum shooting time/ storage you can get for RAW on the pocket cinema camera is 15 minutes or less.
Relax, people! Faster, larger and cheaper cards will be coming out in due time, perhaps even before you are holding your new pocket cam in your hands. We have seen this fast moving process for years.
As for right now, if you are filming a long interview or a concert or wedding ceremony, which has to be done continuously, you can use ProRes HQ, which is an excellent codec and much better than anything that was available up until now, in Camcorders which are many times more expensive. ProRes data rate might even be small enough for a current speed 128GB card, giving you 70 - 80 minutes of continuous recording time, or more than 2 hours on the soon to be expected 256GB cards. But I cannot confirm that until the camera is out. We have to wait for the tests.
And when doing cinematic work at the highest possible quality, in lossless RAW: Is anybody here shooting carefully planned single clips, that are longer than 15 minutes? Maybe that's just me, but mine are usually much, much shorter. So when the card is almost full, just take it out, put in a new one within seconds, and start offloading the first card to a simple RAID for security, which is recommended anyhow before leaving a set and letting you talent go home. All the while you can continue shooting on a second card, which costs you under $100 right now, with prices falling. Or do it all on one card only and take a break in the meantime. I mean, you can't have it all, shoot the best possible image, and expect it all free of charge. I don't have a problem with that.
And in a very few other cases that I can think of, this camera may not be the very best one for you. You may need to get the larger Cinema Camera and record on SSD.