- Posts: 715
- Joined: Sun Sep 29, 2019 10:14 pm
- Real Name: Galin McMahon
I think I know the answer here but I'm hoping there is a better right answer. A righter answer?
Shot a short that will need a ton of post work, i.e. masking and painting. As I've learned, the paint node is extremely processor heavy to the point that it basically does not work. A shame because it's a great tool. Just bogs my computer down to unusable instantly. I'm sure it's an issue specific to my config because I can't find any posts about others having this issue. Comp works well otherwise.
So it looks like tons of exporting to Photoshop. Everything was shot in BM RAW to make the colorist happy. But since he'll be coloring Photoshop images, is it totally accurate to say that all RAW benefits will be lost?
What would you suggest as a workflow here? Should I go through the footage and adjust the RAW adjustments (mainly ISO) to make it look goodish, export, paint, import? That would create a mismatched color science between the Photoshopped images and the untouched RAW video, right?
Now the next question: what formats would you suggest? Last time I did this (years ago) I exported a filmstrip, edited each frame, then imported that filmstrip back into Premiere or whatever I was using way back when. That worked well but that was also back in the 480i days.
So many questions!
Shot a short that will need a ton of post work, i.e. masking and painting. As I've learned, the paint node is extremely processor heavy to the point that it basically does not work. A shame because it's a great tool. Just bogs my computer down to unusable instantly. I'm sure it's an issue specific to my config because I can't find any posts about others having this issue. Comp works well otherwise.
So it looks like tons of exporting to Photoshop. Everything was shot in BM RAW to make the colorist happy. But since he'll be coloring Photoshop images, is it totally accurate to say that all RAW benefits will be lost?
What would you suggest as a workflow here? Should I go through the footage and adjust the RAW adjustments (mainly ISO) to make it look goodish, export, paint, import? That would create a mismatched color science between the Photoshopped images and the untouched RAW video, right?
Now the next question: what formats would you suggest? Last time I did this (years ago) I exported a filmstrip, edited each frame, then imported that filmstrip back into Premiere or whatever I was using way back when. That worked well but that was also back in the 480i days.
So many questions!
Water cooled Windows 11 laptop
i9 12th gen - 64GB RAM - 16GB 3080ti
2TB 4th gen nvme main - 4TB 4th gen nvme scratch
Micro panel (thank you BM ) - Stream Deck
Resolve Studio 18.5
BenQ ultrawide - DeckLink 4k mini via Sonnet - 48” LG C2 OLED
i9 12th gen - 64GB RAM - 16GB 3080ti
2TB 4th gen nvme main - 4TB 4th gen nvme scratch
Micro panel (thank you BM ) - Stream Deck
Resolve Studio 18.5
BenQ ultrawide - DeckLink 4k mini via Sonnet - 48” LG C2 OLED