Fri Jan 28, 2022 12:21 pm
Yes this is a known issue with project wide color management because they really are designed to provide a solid pipeline for scene referred data not so much display referred. You should be able to bypass color management on clips you don't want to pass through the color pipeline but for some Fusion titles and Fusion comps themselves I think it's still not optimal if I'm not mistaken.
Your alternative to global IPP2 management is to set it up manually. Unfortunately there is no option for IPP2 in the CST OFX node but using LUTs should kind of work well enough too. You can generate all the tonemap / rolloff versions of IPP2 LUTs using RED CineX Pro easy from the file menu.
Then setup a "default" YRGB project with RWG/Log3G10 as your timeline space. Then use groups to group all your camera footage and convert it to RWG/Log3G10 (if different source) on pre clip group tree and put the LUT in the post clip group tree. This way you exclude everything else you might need for your project from that color pipeline.
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