Fri Sep 07, 2018 2:30 pm
I color correct my own films, so I usually start before I have a picture lock, so I'm kind used to going through this...
What works for me is I use the 'remote version' as opposed to 'local version' grades preference. This way all my corrections are applied to the clip at the media pool level (or something like that), that way any instance of that clip anywhere in the project will have the same correction.
If I need different looks for the same clip for other instances, I create adicional version.
So let say a grade might be called by default 'Remote Version 1' and lets say I have a flashback scene later on in which that same clip reappears but now needs to be black and white, that grade might be called 'Remote Version 2'... And for each instance I could toggle the corrections from one to the other because resolve recognizes them as been the same clip, even if I'm using different portions of it.
I might not be explaining it correctly... It's easier than it sounds... Give it a try.
To do it you would have to copy all local grades to remote (theres a command for that.
And duplicate your project before trying it, in case you want to go back to the way things were.
MacBook Pro 13"
M2
UltraStudio 4K
Mac Pro
2.7 GHz 12-Core Intel Xeon E5
64 GB 1866 MHz DDR3
AMD FirePro D700 6 GB