Dng is more a container than a real raw format.
Adobe stop to develop in 2017.
Dng converter is updated to support newer raw format but not to add bigger feature.
What can observe is that dng start like standard way to encapsule different raw format, but not ever work fine, also in Adobe software.
Later Blackmagic Design start to adopt with their first cinema camera, later add compression (custom) that stop to be readable from Adobe software.
Later many other camera developers start to add cdng to work around Red patent, without compression, but when you hit some kind of compression you find different implementation.
Not all software read correct color space tag or give you problems.
Converting raw to dng should be a solution to implement on resolve, but reveal more quirk than solution.
In past there is Cineform raw that now is disappear after going in open source that was a solution to this kind of problems, but at today there isn’t a solution to produce a cfRaw it should cost 20$ per camera, but due Red deal (first Red code was based on wavelet like Cineform, but Newman did it many years before Red) may be there is an hidden deal about no more CineformRaw.
ProRes raw not give us a solution like many of us (me too) hope like new common raw then we can only hope that Blackmagic Design decide to build a braw software encoder to encode this kind of files in braw, I’m will be happy to pay it like resolve license
To have ability to convert photo raw in braw and recompress bigger braw in smaller braw flavour.
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