Thank you all for your replies.
Bunk Timmer wrote:Import your footage in resolve with color science set to Davinci YRGB Color Managed.
Do nothing else, I think all your problems will be gone.
So the cure is don’t lift what you didn’t light for. That's what you see in the movie you like and hopefully the fix for your camera as well.
Yeah it crushes the black levels back down. I do work in a Color Managed space but I prefer to do it through CST's to allow more flexibility. So the image you're seeing is before the conversion and you're correct, it does crush the blacks down to a level where you don't see the banding. This was definitely an extreme case that I was shooting as sometimes when I don't have lighting available and am shooting in front of a window I'll sometimes favor the exposure of the window more and lightly lift the indoor exposure. Depending on what I'm shooting, don't mind the extra noise that is introduced, and I actually like the noise quality of this camera, but unfortunately when that banding occurs its not an option to show the noise at all.
Michel Rabe wrote:Shoot at ISO 400, except you really need to go to the 2nd gain stage, then use 1250. If light is not enough for 400 / 1250, this camera seems to run into more issues than others.
Differences between individual cameras happen to any model, even Alexa's, so imo the only way to know would be to test against other BMCC 6K's yourself.
Yeah I have to experiment more with 1250 ISO, and yes I think you're correct. The only way to really get my answers is test it against another BMCC 6k.
João Marco wrote:Aren't you using the proxy files?
No, unfortunately this is the Braw file. The image does indeed look like it's behaving as a proxy would with less image information.