Sat Nov 16, 2024 3:43 pm
Avid allows you to look at the source monitor in a timeline view to see all the clips and tracks that are present in the source clip and you can manipulate the contents in that view, modifying the source clip. You can enable/disable clips and tracks within the source timeline and set in/out ranges and then edit it into the record timeline. This is not the same as swap timelines. The source monitor literally has its own separate timeline representation. It makes tweaking the source much easier when the source is actually a complex grouping of clips and tracks. It also lets you zoom in to the source timeline in a way that cannot be done from just the source monitor thus allowing for refined selection of clips and ranges.
So there's that and you need to hold this distinction in mind for the next bit.
In Avid you can select a range of the current record timeline and hit a keyboard shortcut to load that selection into the source monitor as a copy of the clips and tracks that were in the record timeline. You can then switch your source content to its timeline view to modify the specifics of what was loaded into the source side and then edit that content back into record timeline at some other location (optionally between a mark in/out range for either 3-point or 4-point editing). When editing the source into the timeline you can select patching of which source video and audio tracks will be written to which video and audio tracks in the record timeline.
Of course, you can load groups (compounds) and timelines into the source monitor and view those in the source monitor timeline for similar flexibility.
Resolve doesn't really have an equivalent to this. The swap source / timeline feature approaches this functionality but misses some pretty significant features without manual intervention such as using dummy timelines to hold copies of clips, etc. and remembering to switch back to source before editing the content into the intended timeline. I used Avid for many years and got used to having this functionality. I've long since forgotten how useful it was. The new patch tracking feature in Resolve 19.1 is a welcome improvement. I just wish BMD would go the whole way, modelling the behaviour of Media Composer in this regard.
aka Barkinmadd
Resolve Studio 20 | Fusion Studio 20 | 16" MacBook Pro M1 MAX, 32 GPU cores, 64 GB RAM, 2 TB SSD, Sequoia 15.4.1