
- Posts: 36
- Joined: Sun Feb 20, 2022 8:27 pm
- Real Name: Bruce Barr
I have an Editor Keyboard and love it. I love my Speed Editor for traveling.
I also have a Micro Panel for color that I can't believe I waited so long to get.
All of them have made editing a blast, and I'm a lot faster.
If you can't tell, I'm very tactile, so I wanted an audio panel with physical faders. I can't afford the Fairlight Desktop Console at $3500, so I went with a MIDI panel for $600, and it's been a PITA to get set up. Since some of the buttons rely on MIDI commands (ie to launch the EQ), I can't do a lot of things I'd like to do, etc.
The reason I got the Micro Panel is I'm an editor not a colorist and I can't afford the Mini Panel. Sure, it doesn't have all the features of its big brother, but the Micro Panel fits my needs perfectly, it fits my desktop area perfectly, and at a price that my accountant won't shoot me over. Not to mention that setting up each of my BMD panels to work in Resolve was a total breeze.
I'm not a sound designer, and I can't justify shelling out $3500 for the Fairlight Desktop Console. Any chance of Grant and the rest of the folks at BMD realizing that a lot of people like me would jump at the chance to pick up a mini version of the Fairlight Control Panel with some reduced functionality (fewer faders, for instance) and a smaller footprint for $500-$1000?
I also have a Micro Panel for color that I can't believe I waited so long to get.
All of them have made editing a blast, and I'm a lot faster.
If you can't tell, I'm very tactile, so I wanted an audio panel with physical faders. I can't afford the Fairlight Desktop Console at $3500, so I went with a MIDI panel for $600, and it's been a PITA to get set up. Since some of the buttons rely on MIDI commands (ie to launch the EQ), I can't do a lot of things I'd like to do, etc.
The reason I got the Micro Panel is I'm an editor not a colorist and I can't afford the Mini Panel. Sure, it doesn't have all the features of its big brother, but the Micro Panel fits my needs perfectly, it fits my desktop area perfectly, and at a price that my accountant won't shoot me over. Not to mention that setting up each of my BMD panels to work in Resolve was a total breeze.
I'm not a sound designer, and I can't justify shelling out $3500 for the Fairlight Desktop Console. Any chance of Grant and the rest of the folks at BMD realizing that a lot of people like me would jump at the chance to pick up a mini version of the Fairlight Control Panel with some reduced functionality (fewer faders, for instance) and a smaller footprint for $500-$1000?