
Hi,
I am from the UK (what am I doing up at this hour?).
First of all I want to thank Blackmagic for the brilliance, foresight and the audacity to put out such a game changing camera.
So I go first? I am doing something, maybe a bit unusual, going to be setting up a green screen previz film studio. The budget is really tight for this, I mean really tight. Using one camera; like everyone, waiting for my pre-order on Blackmagic Design Cinema Camera. Can't wait for that 12-bit RAW goodness.
Motion capture, using the Kinect for that... What I can afford. Camera motion controller, well I've programmed a 6DOF game controller for that.
A games engine for the previz, plus a little something I've been developing for 8 months that uses NVIDIA OptiX to give real-time raytracing.
Some cheap photography green screen material drapes and tent poles.
So I'd be shooting live action in the studio, mixing it with real-time CGI, grading in DaVinci Resolve, then posting the films on the internet.
Dream is to produce quality that wouldn't normally be done and stories that wouldn't normally be possible unless on a big budget. Certainly the BMC can only help to enable this.
So in the period of anticipation and waiting, if you like, say what you will be using the BMCC for once you get it at last!
Cheers,
Jules
I am from the UK (what am I doing up at this hour?).
First of all I want to thank Blackmagic for the brilliance, foresight and the audacity to put out such a game changing camera.
So I go first? I am doing something, maybe a bit unusual, going to be setting up a green screen previz film studio. The budget is really tight for this, I mean really tight. Using one camera; like everyone, waiting for my pre-order on Blackmagic Design Cinema Camera. Can't wait for that 12-bit RAW goodness.
Motion capture, using the Kinect for that... What I can afford. Camera motion controller, well I've programmed a 6DOF game controller for that.
A games engine for the previz, plus a little something I've been developing for 8 months that uses NVIDIA OptiX to give real-time raytracing.
Some cheap photography green screen material drapes and tent poles.
So I'd be shooting live action in the studio, mixing it with real-time CGI, grading in DaVinci Resolve, then posting the films on the internet.
Dream is to produce quality that wouldn't normally be done and stories that wouldn't normally be possible unless on a big budget. Certainly the BMC can only help to enable this.
So in the period of anticipation and waiting, if you like, say what you will be using the BMCC for once you get it at last!
Cheers,
Jules
Last edited by Jules Bushell on Wed Sep 05, 2012 6:19 am, edited 1 time in total.
Jules Bushell
url: www.nonmultiplexcinema.com
url: www.filmmeansbusiness.com
url: www.blurtheline.co.uk
url: www.nonmultiplexcinema.com
url: www.filmmeansbusiness.com
url: www.blurtheline.co.uk