HLG as HDR signal meant to be "final" data, like Rec.709 for SDR, so you can do only small adjustments to actual HDR signal like you do with Rec.709 for SDR.
Things are bit different when you try to use HLG as a source for further/heavier grading, but for SDR master. In this case it holds desired 10bit data and there are reports it's actually easier to work with than eg. S-LOG. It may end up that this is actually good source (eg. S-LOG replacement) for final SDR master creation. In the same time it's "ready" HDR master as well, which you can still slightly adjust. I would say try

I'm not sure how Resolve adjustments react to HLG (as it's hybrid gamma), but at the end you should be able to get where you want (maybe just need to dial something less or more).
I think the best option would be to go over ACES (to get HLG from hybrid gamma back into linear light), but this is not supported in Resolve yet.
When you do color managed project make sure input gamma is set to HLG (manually if needed), so it gets "normalised", so Resolve adjustments respond in "normal" way. I'm not an expert in this.