Mon Jan 14, 2019 11:11 pm
I also do not think BM is worried about Apple and its ProResRaw. BMD is more concerned with developing a superior product with ease of use. Nikon is not the only camera company Atomos is working with for ProResRaw, which started out as a joint Atomos and Appple project. The first camera thus project worked with was the Pana EVA1. Then Atomos approached Nikon to add ProResRaw support for Nikon’s new mirrorless Z6/7 Cameras, with the Z6 as the primary focus. The Z6 is basically a full frame version of the Pana GH5S, and is more competition for it, than the VM Pocke 4K, which is in a class of its own, but marketing wise it obviously is in competition with both cameras.
Apple is currently restricting its ProResRaw to FCPX only, but is supposed to release it to other NLEs, and Atomos has an exclusive for the same period, to oddest its cost in helping this joint effort. BMD does not need to have an external recorder to record Raw on its Cinema camera line up, they are one of the few that has this available without an external recorder, unlike Sony, Panasonic, and now Nikon. So BMD can develop a better product, that costs less — why would BMD want to give this “edge” away to its competition by making a BRaw enabled VA?
But, since BMD did release the VA in obvious competition to the Atomos Ninja/Shogun, who is to say, BMD doesn’t develop another flavor of its Raw codec, that can read the Nikon HDMI stream, and also record Panasonic’s raw feed from the EVA1. But this would not be the BRaw as it is currently being done in Camera. This will maintain BRaw’s better technical edge, while making the VA compatible with these new cameras.
Cheers
Denny Smith
SHA Productions