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rick.lang wrote:Several months after this thread began I wonder if positions have coalesced on the best current practices. Would you kindly comment on which codecs and resolutions you feel would be best for my upcoming music video?
Final deliverables will be either 2K or HD. Want to be able to use both cameras, one shooting BTS and one the music video.
URSA Mini 4.6K - the Music Video:
maximum capture UHD within 1.33x Anamorphot Adapter for 2.39:1 Timeline;
interior and exterior Day;
- should I use CinemaDNG 3:1 24 fps or ProRes 444?
BMPCC4K - the BTS:
could be 4K DCI or UHD, cropped to Widescreen 2.39:1;
interior but might have exterior Day;
- should I use BRAW or ProRes 422 HQ?
Resolve 16 timeline using maximum resolution to Deliver 2K/HD.
I keep vacillating what will work the best. No euros will be harmed or used in this video!
I’d like to use the raw on each camera, but not if that’s a recipe for disaster. Thank you very much for your input.
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You might find more input to move this to a separate thread. I prefer to work with RAW 3:1 in Resolve in 4.6K - 4K, then ProRes 444 for 2K capture. It might be more of a post processing question with the workflow and tools your comfortable using in Resolve. I can’t speak to best practices. With ProRes 444 my adjustments in Resolve will mostly be with curves. If you have the disk space and computing power Raw 3:1 and 4:1 in 4.6K is a rich workflow.