Francisco Rodriguez wrote:To me, more concerning than the codec is the color science...
How’s been matching both cameras for you?
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For the most part I can match the cameras through color grading. I’ve already profiles a PowerGrade I can use for when both are Log. With CinemaDNG I just have to put it in Color Science 4. Still I would love if Blackmagic could just give it CA4 natively.
The G2 (in 60 fps for slow-motion) was on the main runway for the fashion show and the UM4.6K was back stage for B-Roll/BTS. So that helps make it easier to match color science. With the G2 I had it at 800 ISO and have already checked changing to 1600 in RAW Tab in Resolve. So it looks great and the slow-motion was the best choice.
The conferences I’ve used both on are HD ProRes Proxy with G2 set to Extended Video and the UM4.6K set to video. I hand that footage off and haven’t heard any complaints yet. So that means they match fine in that situation.
Still if I do a short or feature I would want both on BRAW. BRAW is definitely better than CinemaDNG in my book. I’m loving it.
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