emptymind wrote:Do not get caught up in buying a cage and hanging expensive stuff all over the place like a christmas tree. Not much of that will add quality to a movie. It just looks good. I know a few Red Epic shooters with $100k budgets that do not even own a follow focus or matte box or even rigs!
Yes I think I can put matte box aside, I can manage without it with little intelligence and reg follow focus I cant understand, u need to educate me on that and what u meant by rigs here.
emptymind wrote:It would be stupid to blow your budget on lenses - you can shoot a full length movie with just one lens - many great DOP's have done just that. I have the Sigma 18-35 and yes, its a great lens but I film docs and use zooms quite a lot. If I shot a feature fiction film I would use primes - say two Rokinon Cine primes and stay under $800 for the entire lenses.
Beside the camera itself quality of the movie will improve with two items - a rock solid tripod and good audio. You need the best tripod you can afford
That's very inspiring to read, can you tell me two lens that would cover most of shoot and yes I got to know how a rock solid tripod would bring in great difference, I will definitely look up on that and wouldn't cage be very important and play crucial role safety wise in an accidental fall or drop?
Thanks a lot empty mind.