
This is an update but its just more of the same stories. Trickling, maybe, next week, in the next 1 to 2 weeks, limited shipping, glass, frustrated, etc...
Probably, those who are getting the MTF model may get theirs in June 13.
Anyway, I will give you a pass since you are inexperience camera makers. The huge mistake you guys did was to set a time frame without plan B! It feels like you may have bite what is too much to chew! Too many fires! How about hiring a PR person for starters?
I think this camera is over praised. I have been reading the manual and I have found several limiting issues.
When recording to the so called 10-bit 422 on an external recording device through SDI (BNC), there is no audio output other than the headphone! This may need audio sync later.
We are praising how good the 2.5K is. Given the amount of hard drive storage space required for RAW footage, it will not work well with event shooters. I'm sure this has been raised somewhere else but I thought I should throw it out here! I know you can shoot ProRess 422 for those with limited computer recourses, why then buy a tool that you may not need! Why respond to a mosquito bite with a hammer?
From the look of things, USB 2.0 will be replaced with US3.0. Why would the BMCC come with USB2.0 port?
The fact that the monitor does not swivel, small budget guys who may have the camera on a tripod that is taller than them, trying to get a high angle, may have it hard trying to monitor the screen. Its no wonder, Sony and the rest of experienced camera manufacturers have swivel monitors.
Also in the manual, I haven't seen a place that reefers to FCPX! All I see is FCP7. I don't care for FCPX therefore I'm not worried with support for FCPX. I know Apple will not be supporting FCP7 anymore which is sad but FCP7 Still rules (in my opinion).
What happened to the good old white card/paper for white balancing? I looks like it is just a bung of white balance presents!
Given that you cannot monitor real time audio by use of level meters, its a huge disadvantage for event shooters ie. one man guitar kind of business. It will be very cumbersome to have your camera connected to your laptop through thunderbolt when shooting uncontrolled action. The camera has been baptized "cinema camera" and this may explain some of these omissions. My believe is that BM have come up with this camera to serve low budget individuals and this includes event shooters. In fact, event shooters may be the majority people who would be buying this camera.
Remember when intensity pro card came out, BM claimed that if you have two cards installed on the same computer, you can do live switching! Later, it was withdrawn. Who knows the path to this magical "cinema camera" that is going to solve all our problems going to take?
I wish BMCC all the best and for those waiting for it enduring patience in these trying times! Our clients cannot wait any longer! Plan B for us is in place. After all, time has been and still is going on without 2.5K RAWDNG! For the elite few who have been reviewing the camera, please don't protect BM team when you claim you do not work for them. You are in a privileged position where the majority of other customers aren't.
This post has been brought to you by the folks of "RED"
Jesus man, rage much? I think you may need to come to terms with your unrealistic expectations on this camera. "Come up with a plan B" like what? Have a secondary supplier of imaging chips on standby in anticipation that a manufacturer may drop the ball? Maybe on a planet where impossibly feasible plans come true. Not on earth where Black Magic is selling a camera that shoots 12 bit RAW for three grand.
Your an Event shooter, so am I. Do I plan on bringing three BMCC's to a wedding to shoot? Hell no. I have a kit for shooting events comprised of cameras that are suitable for shooting events. I have DLSR's but I shoot narrative work with those simply because "I" the owner of my own video business decides that I don't want the headache of a DSLR camera during an event where anything can happen. If you don't want the headache, don't use the camera for Events. My point is, your problems with camera are "your" problems, not Black Magic's, or anyone else. This camera is called the "Cinema Camera" I am not sure the end user was intended to be event shooters. Just as DSLR's were never "intended" to be used professionally.
You have obviously overhyped this camera. your calling it the "Magical Cinema Camera". It was never designed to fix all of your problems. Its a camera. An inanimate object. A tool. Just like a hammer can be used to drive nails. This camera can be used to shoot events. Will it pose problems other cameras wont have in that situation? sure. The only thing this camera has been "promised" to do was deliver 13 stops of dynamic range images in 12bit 4:4:4 Raw and 10bit 4:2:2 DNxHD or ProRes422 for $3000.00. Where you choose to use the damn thing is your own problem, Not Black Magics.
So they have ran into a manufacturing issue that postponed the shipping of that camera, so what. Better that then turning out thousands of defective products that will need a PR manager to deal with the fire coming from thousands of early adopters. As far as I am concerned, Black Magic is taking care of business and making sure the camera is right before they send it out to you and me. I guess that's a bad thing if you like having defective products on your shoot. I understand its difficult waiting for the camera to show up. Yes it does have some kinks that need to be ironed out. This is Black Magics first hack at producing a video camera and since many, if not all, of the production quirks are addressable with firmware updates then its a damn good one if I say so myself.